Ramaa Mosley is a TV director and filmmaker who has been invited back again and again by the shows and creators she works with. She has directed multiple episodes of Netflix’s The Night Agent for Shawn Ryan, multiple episodes of Happy Face for Paramount+, and multiple episodes of The Cleaning Lady for Fox. She directed four episodes of 61st Street for Peter Moffat, including the season two finale, through Michael B. Jordan’s Outlier Society on CW. Her other recurring work spans repeated episodes of East New York, SWAT, All Rise, Blindspot, Manifest, and Animal Kingdom for John Wells. She has also directed two feature films, The Brass Teapot, starring Juno Temple, which premiered at the Toronto International Film Festival and earned a Saturn Award nomination, and Lost Child, starring Leven Rambin, winner of Best Narrative Feature at the Bentonville Film Festival.
Before and alongside her television work, starting at the age of 16, Ramaa built a career as a commercial and branded content director, working with Fortune 500 clients and major studios across advertising and entertainment. Her campaigns have reached hundreds of millions of viewers and earned recognition including a Shorty Award and a place on SHOOT Magazine’s Top 10 Female Directors list. She founded Laundry Films and directed award winning work for brands including Samsung, Chevrolet, and Always, developing a visual style rooted in character and authenticity that now defines her episodic work as well.
In 2013, Ramaa co-founded Adolescent Content, a full service youth-focused advertising and social media agency built around two global networks of young emerging creators, giving brands direct access to authentic youth culture while opening real professional doors for the next generation of storytellers. Alongside its brand work for companies like Meta, Pinterest, and Nike, Adolescent develops original content, and Ramaa has showrun more than a dozen web series directed by emerging talent, giving young directors their first real credits and a path into an industry that too often keeps its gates closed. That mission, creating pathways for people who would otherwise not get the chance, runs through everything she has built since.